Thursday, December 30, 2010

MOVIE DIRECTOR SPIELBERG’S INTERPRETATION OF THE CONTEXT OF THE NOVEL THE COLOR PURPLE

Director Stephen Spielberg has rightly highlighted the context of the novel in a subtle way by focusing on how Celie explores herself through different experiences instead of letting the audience baffled and disgusted by showing that the black men are made of pure evil. In a way, he has tried to present this slave narrative by taking the focus off black men and putting the focus on black women's struggle against society's injustices. as in the case of Shug taken by everyone has a corrupt beautiful singer and Sofia who defiantly stood against white women and thus as a result was thrown into it. The novel gives graphic details of the exploits by her father which while adapting could have instigated many reactions among the critics and the black community but Spielberg made it a PG-13 movie in order to avert any controversy. Spielberg has emphasized upon the theme of love and how this love binds humanity together instead of gory details of the atrocities committed by black men on black women or by white people on black slaves.


Spielberg seems to be interested in the universally accepted smile that shy Celie gives in the start, that smile continues till the very end but the authority of Celie and her smile changes at the end of the movie. Her smile in the end is empowering for her African children that came to meet her. Celie's stepfather comments on Celie's smile by saying, "Celie, you've got the ugliest smile made out of creation" which we as audience know that it is incorrect. Celie, played by Whopi Goldberg, gives a sweet child like smile that gives a refreshing feeling whenever the movie gets tense. Her smile provides relief in the movie.


The Color Purple is an epistolary novel which revolves around the life of Celie who writes letters to God. Spielberg does take into account the importance of letters in the novel by starting the movie with a letter that is being read by Celie but he leaves out the vivid description of Celie's abuse by her step father. The letter lays bear the absurd situation Celie and Nettie were in: the incestuous relation with their father and its consequences in the form of illegitimate children. The movie tries to start as raw as the novel but fails to capture the sexual exposition as the novel suggests. The impression of male members of Black community from the beginning comes as brutish and unsympathetic. Celie, Nettie, Sofia, Shug Avery comes out as women of great importance. Celie and Nettie love each other but in a community where black men treat black women ruthlessly they are not able to flourish their love. They suffer at the hands of Mr.___ who forces Nettie to leave his house when she came to meet Celie. Mr.___ tried to exploit Nettie but Nettie fought against Mr.___ advances and thus as punishment she was separated from Celie.  

The aspect of Women as an inanimate object is revealed in the movie when Mr.____ comes to take the hand of Nettie for marriage but her stepfather says only Celie is available. Mr.____ says he wants to see Celie if Nettie is not available for marriage. Celie's stepfather calls her and asks her to move herself in circle for Mr._____. Celie's stepfather's boy comments on it by saying "What's she doing that for", stepfather to this gives a smile and replies "your sister thinking about marriage". This act makes Celie a mere object of meat that is being showcased by his step father. Mr.____ doesn't even want Celie in marriage but his desperation and lust overlooks his preferences. This is the reason why later in the movie Mr.____ tries to rape Nettie.


When Shug Avery first meets Celie, she says: "You as ugly as sin." But when Shug comes to witness how Celie is maltreated by her husband she changes her perception and becomes softer towards Celie. She even becomes Celie's protector against the atrocities committed by her family. Shug provides the confidence to Celie by saying that her smile is beautiful and from that moment onwards Celie begins to generate the power to fight her abusers. Shug kisses Celie and we realize in this scene that it is the first time Celie has been willingly involved herself in something intimate. This relation becomes evident in the movie when Celie tells Shug that she does not tell her that she used to go into the purple color fields. Shug replies by saying, "I think it pisses God off when you walk by the color purple in a field and don't notice it." The color purple here symbolizes their lesbian relationship and to emphasize on it Spielberg begins the movie by showing us lavender.


Sophia (Oprah Winfrey), wife of Harpo, was also amazed by how Celie was treated by Mr.____ in her own home. Sophia was of the marginalized black community but she was not afraid of anything. But this does not go in her favor when she hit a white woman in the face and was sentenced to ten years in jail. Celie became confident like Sophia when she sits on the table for the last time with the whole family and starts her reaction towards everything unjust that has been going on in her life. This part is adapted in the movie where Sophia is ironically sitting opposite to her and she starts smiling. From this point onwards the curse of black women suffering as slave inside their own home is broken and Celie sees her luck shine, as she comes to know that her share of property that was given by her late aunt still exists. The last scene in the movie is when Celie's African children come to meet her and call her "mama" and at the same time Mr.____ is seen around the house, as he comes to apologize for everything he had done.


The context of the novel Spielberg presents is interesting take on the novel as he has willingly cut the horrific incidents mentioned in the novel meted out to Celie but at the same time, he manages to portray the injustices black men and black woman in particular had to suffer.

PRIMARY CONCERNS OF THE NOVEL THE COLOR PURPLE BY ALICE WALKER

The Color Purple by Alice Walker has been awarded the Pulitzer Prize for Fiction and the National Book Award. It addresses numerous social, cultural and political issues which were rampant at the time Walker wrote this novel. Some of the primary concerns the novel focuses on are violence against women, gender issues, religion and spirituality, love and sexuality, female solidarity and racism.

 

Walker calls herself a "Womanist" writer. Womanism is a term coined by Walker herself, which says that 'Womanist is to feminist as purple is to lavender'. According to her, feminism does not encompass the perspectives of Black women. Womanism addresses the race and class issues that are not addressed by white feminism. Womanism also 'seeks to acknowledge and praise the sexual power of Black women while recognizing a history of sexual violence'.  This is precisely what the novel does. One of the primary concerns of the novel is to create awareness of how black women are doubly oppressed. They are not only discriminated against for the color of their skin but also oppressed by the men in their own community. They are constant victims of violence, including sexual violence. The protagonist Celie is first raped by her stepfather and then constantly abused by her husband. She is belittled by them to such an extent that she feels like she has no existence of her own in the world. Explicit sexual details are given of Celie's rape in the opening pages of the book. According to Walker, the graphic details of Celie's sexual exploitation were given to "strip away the lie that rape is pleasant, that rapists have anything at all attractive about them, that children are not permanently damaged by sexual pain, that violence done to them is washed away by fear, silence and time..." and Walker successfully voices these concerns in her book. Walker points out that not only Black women of Southern America, but the women of Africa are also oppressed by men. The Olinka tribe believes that "A girl is nothing to herself; only to her husband can she become something."(140).

 

One of the main concerns of the novel is to revise images of black women by "taking the familiar and negatively constructed sexual images and imbuing them with power' (Bobo, 1995: p65). Walker emphasizes that gender and sexuality are not as simple as we may believe. Her novel challenges and defies the traditional ways in which we understand women and men. One of the ways in which she does this is through her portrayal of the character Sofia. She is strong willed, stubborn and a hard worker, often appearing very unfeminine. She is portrayed as being more masculine than her husband Harpo, who repeatedly gets beaten up by her and tries hard to suppress her. Walker concedes that the idea of a fair and feminine heroine was no longer acceptable as an illustration of a black heroine. '…although Sofia's physical presence and manner of rebellion are much more omnipresent and overt, her story brings to mind battles by earlier black women…' (Bobo, 1995: p66).

 

The title of the novel itself suggests one of the concerns focused on by Walker. Shug  tells Celie that "I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it…" What she means is God puts these little things in the world to show us we are loved. To be able to take joy in little things such as purple flowers is what helps one move on in life. After Shug points this out to Celie, the reader finds a positive transformation in her. "Purple" changes from a color of violence and abuse to one of joy and spirituality.

 

Religion and spirituality are important concerns of the novel. The image of God is transformed from a white-man's God to one of a gender-less and race-less God. The traditional Christian God is replaced by a more universal and benevolent God. Nettie points out that "It is the pictures in the bible that fool you." (120). All the pictures are of white men, so one starts assuming that God is a white man too.  As the novel proceeds and Celie becomes aware of whom her real father is and his lynching, she stops writing to God. Celie sees God as a tall, gray-bearded white man wearing long robes, who acts like all the other men she has known, "trifling, forgitful and lowdown." She blames God for all her suffering. Shug changes Celie's bitter view of God and religion and helps her move towards spirituality. She realizes that loving the world, herself and other people is the way to love God. Walker points out that rejection of religion is not the answer, one has to change one's outlook on the traditional concept of an anthropomorphic God. Not being tied to what God looks like frees us. God cannot be found in religious scriptures rather as Shug points out, "God is inside you and inside everybody else…"

 

One of the primary concerns of the novel is love and sexuality. Walker does not focus on the traditional idea of love between a man and a woman only; rather it can have various forms. It is about self-sacrifice and unconditional care, as is evident through the relationships of Celie with her sister and Shug.  The novel is full of characters exchanging spouses and lovers. The lesbian relationship between Shug and Celie is one of the few examples of genuine love. Indeed, the lack of love in society and the importance of accepting it, in whatever forms it appears are concerns which Walker encompasses in her book. She points out how sex is seen by Celie, a victim of rape, as a form of violence and duty only. This view is revised later on in the book when she experiences a relationship with Shug which is based upon mutual love and respect. Walker provides sexual empowerment to the Black women as is evident through Shug's character.

 

Female solidarity and sisterhood is an important concern addressed by Walker. In a male-dominated society, women find joy, strength, freedom from oppression, and self-determination only when they stick together and support each other. Sofia's ability to fight comes from her strong relationships with her sisters. Nettie's relationship with Celie helps her through years of living in the unfamiliar culture of Africa. Samuel notes that the strong relationships among the Olinka women are the only thing that makes polygamy bearable for them. Celie's strong bond with Shug enables Celie to break free from oppression and develop a sense of self. Samuel's wife refuses this solidarity and is eventually destroyed. When women start forming relationships that have a healing quality to it, it takes on a domino effect and gradually encompasses various women of the community. First, Shug's relationship with Celie emancipates her and then Squeak develops her own identity and rebels against Harpo. Next is Sofia who finally manages to break free from the damaging effects of her imprisonment and her sense of self is restored. Walker makes women's communal empowerment a primary focus of her novel.

 

Racism and discrimination are also an important social concern of the novel. It reveals the harsh social and economic difficulties facing the black community in the rural South. Celie's father was lynched because he was doing better at business than the whites around him. Sofia is imprisoned because she refuses to become a white woman's maid and tries assaulting the mayor. Instead she is severely beaten, is thrown in jail for eleven years and is bailed out only to become the same white woman's maid.

 

Another important concern of the novel is the betrayal by one's own people and the consequences of living in denial. Through the story of the Olinka tribe, Walker portrays how betrayal does not necessarily have to come from outside. It can come from one's own people. As Nettie points out, it was the Africans who sold them into slavery and seem to have no regrets about it. In the past, it is the chief of the tribe who sells Olinkan land to a rubber manufacturer and clears the roof-leaf trees which the tribe worships. As a result, many houses are destroyed by rains and whole families are wiped out. Later on, many villagers like the Olinkans themselves help to clear the Olinka forests so that rubber trees can be planted. The tribe's condition becomes worse because "the people live like ostriches" (154). They live in denial and are not ready to confront the harsh reality which awaits them. As a result, their hunting territory and their forests are destroyed. Their land ownership is taken away and they have to pay rent on their land and water tax.

 

Finally, Walker also acknowledges that "There is so much we don't understand. And so much unhappiness comes because of that."(172). Celie remains miserable until she starts comprehending her surroundings as well as her own self. She bears all the injustices meted out to her by her stepfather and husband because she believes that the Bible orders women to be obedient and subservient to men. Similarly, Samuel's wife Corrine misunderstands her husband's relationship with Nettie and it annihilates her from inside. She only realizes the truth when it is too late.

 

Walker's novel The Color Purple adequately portrays various social, political and religious concerns which affected the Black community of not only the early twentieth century but also those that are still prevalent in the present time. Indeed some of the primary concerns of the novel are universal.

 

 

 

 

 

 

 

Wednesday, December 8, 2010

Studying: Literary terms


Literary terms flashcards from wooob on FlashcardDB.

Tuesday, November 30, 2010

Time Span, Terms, Movements, Examples

http://home.comcast.net/~stephen.gottlieb/romantic/periods.html

Literary Movements

http://en.wikipedia.org/wiki/List_of_literary_movements

Wednesday, November 24, 2010

RICHARD WILBUR ON WRITING POEMS

I write poems line by line, very slowly; I sometimes scribble alternative words in the margins rather densely, but I don't go forward with anything unless I am fairly satisfied that what I have set down sounds printable, sayable.

http://www.theparisreview.org/interviews/3509/the-art-of-poetry-no-22-richard-wilbur

RICHARD WILBUR'S POETRY

Poetry

  • The Beautiful Changes, and Other Poems (1947)
  • Ceremony, and Other Poems (1950)
  • A Bestiary (1955)
  • Things of This World (Harcourt, 1956) Pulitzer Prize for Poetry 1957 National Book Award 1957
  • Advice to a Prophet, and Other Poems (1961)
  • Walking to Sleep: New Poems and Translations (1969)
  • The Mind-Reader: New Poems (1976)
  • New and Collected Poems (Harcourt Brace Jovanovich, 1988) Pulitzer Prize for Poetry 1989
  • Mayflies: New Poems and Translations (2000)
  • Collected Poems, 1943–2004 (2004)
  • The Boy at the Window
  • A Barred Owl

Poets and Poems in the Classroom , RICHARD WILBUR - THE FIRST ONE - 58 MINUTES

A Poetic Homecoming: Richard Wilbur '42

Tuesday, November 23, 2010

Professor Morrison won a Pulitzer Prize and was the first black American woman to win a Nobel Prize in Literature. She is a professor of humanities at Princeton University. She discussed her writings, her life, and the craft of writing. She responded to audience telephone calls and electronic mail. Her books include: Sula, Song of Solomon, Beloved, The Bluest Eye, Paradise, Tar Baby, Jazz, and Playing in the Dark: Whiteness and the Literary Imagination.

Jazz by Toni Morrison Review

Saturday, November 13, 2010

Bertrand Russell on God (1959)

Thursday, November 4, 2010

MA ENGLISH LITERATURE

http://neoenglishsystem.blogspot.com/search/label/MA%20English-Literature

Wednesday, October 27, 2010

What is research? re·search (r-sûrch, rsûrch) n. 1. Scholarly or scientific investigation or inquiry. tfd.com

Source: tfd.com

inquiry.

Who was Herbert Spencer ?

Source: http://en.wikipedia.org/wiki/Herbert_Spencer

Herbert Spencer (27 April 1820 – 8 December 1903) was an English philosopher, sociologist, and prominent classical liberal political theorist of the Victorian era.

Spencer developed an all-embracing conception of evolution as the progressive development of the physical world, biological organisms, the human mind, and human culture and societies. As a polymath, he contributed to a wide range of subjects, including ethics, religion, anthropology, economics, political theory, philosophy, biology, sociology, and psychology. During his lifetime he achieved tremendous authority, mainly in English-speaking academia. In 1902 he was nominated for the Nobel Prize in Literature.[1] Indeed, in the United Kingdom and the United States at "one time Spencer's disciples had not blushed to compare him with Aristotle!"[2]

He is best known for coining the concept "survival of the fittest", which he did in Principles of Biology (1864), after reading Charles Darwin's On the Origin of Species.[3] This term strongly suggests natural selection, yet as Spencer extended evolution into realms of sociology and ethics, he also made use of Lamarckism.

Henri Bergson || Epistemology || phenomenology || stupendous || John Middleton Murry

http://en.wikipedia.org/wiki/Epistemology
http://en.wikipedia.org/wiki/Henri_Bergson
http://en.wikipedia.org/wiki/John_Middleton_Murry#Critic
http://www.katherinemansfield.net/life/briefbio1.html
http://www.bing.com/search?q=stupendous

http://www.answers.com/topic/phenomenology
http://en.wikipedia.org/wiki/Phenomenology
http://www.google.com/search?q=phenomenology

What is Ontology and Phenomenology?

Ontology:

The subject of ontology is the study of the categories of things that
exist or may exist in some domain. The product of such a study, called
an ontology

Source:
jfsowa.com/ontology


Phenomenology:

A philosophy or method of inquiry based on the premise that reality
consists of objects and events as they are perceived or understood in
human consciousness and not of anything independent of human
consciousness.

Source:
answers.com/topic/phenomenology

Tuesday, October 26, 2010

A Day in the Life of an English Literature Student



UNDERSTANDING MODERN LITERARY THEORY

http://www.kristisiegel.com/theory.htm#marx
http://www.kristisiegel.com/links.htm

Video: http://academicearth.org/courses/literary-theory
http://en.wikipedia.org/wiki/Literary_theory

http://www.muwasalat.com/2010/10/understanding-modern-literary-theory.html
http://englishliteraturelinks.blogspot.com/2010/10/dr-kristi-siegel-internet-sites-and.html

Friday, October 22, 2010

THE MAJOR HISTORICAL EVENTS OF THE 20TH CENTURY AND THEIR EFFECT ON THE AMERICAN LITERATURE INCLUDING HEMINGWAY’S WRITING - Fictional writer - Vye -

Major Historical Events of the early 20th Century in American Society:-

The three major historical events of the 20th century were the First World War that broke in 1914. The second important event was The Great Depression that was a severe worldwide economic depression in the decade preceding World War II. The timing of the Great Depression varied across nations, but in America it started in about 1929 and lasted until the late 1930s.The third most important historical event was the Second World War that occurred in 1939.

Effects of the Major Historical Events On Society:-

The affects of these events were immense as War changed the mindset of the whole society, making them rebel against the norms. After the World War I, the second great shock that in twentieth century was faced by America was the Great Depression of the 1930s. The Americans, being proud of their prosperous past were not able to cope with the adverse circumstances as the past comforts were in sharp contrast to the new difficulties.   Politically, America became strong after World War 1. It rose to become the major superpower of the world but unrest was created in the people due to the anti-war sentiments.  The experiences of the war in the west led to a sort of collective national trauma. The optimism of 1900 was entirely gone and those who fought in the war became to known as 'the Lost Generation' because they never fully recovered from their experiences. The large-scale migration after World War, also posed a threat to the country's stability. The immigrants began to be treated with suspicion and distrust. People had become disillusioned from religion due to the innovations posed by science, but seeing the destruction caused by scientific inventions during the war, disillusioned them from science as well consequently this generation became empty and hollow from inside. Women became more active in the affairs outside home. Soldiers left behind helpless families. The sense of family life was disturbed and shattered. People became pessimistic about the future, as they had lost faith in the possibilities of human potential. Fear and uncertainty was created in people's psyche.

Major Writers and Themes of the Post War Era

Historical and social changes have always molded the novelists' perception while writing. This phenomenon is particularly visible with regards to post-war literature. The early twentieth century was dominated by cataclysmic events. The Americans survived the two World Wars and overcame the economic upheaval of the Great Depression. They won, but were not victorious. These events reverberated through society and left a devastating psychological impact. In the novels of the era during and after world war, Man's helplessness in facing different events was portrayed tragically.  

The major thematic concerns of these times inadvertently focused on how the individual had to combat with the restrictions and impediments posed by society. In addition, the extreme emptiness felt by the Lost Generation became a recurrent theme in the writings of this era. After the World Wars, Man became rootless and alienated from tradition. This loss of tradition was accompanied by moral degeneration and a resurgence of the meaninglessness of life. Man in these times was seen as fighting against a malignant Natural world. As Daiches (1960) comments:

"The loss of the confident sense of a common world, of a public view of what was significant in human action…had an effect on both the themes and the technique of fiction."

D.H. Lawrence, Virginia Woolf, James Joyce, Franz Kafka and Ernest Hemingway were the major writers of this era. D.H. Lawrence was one of the notable literary figures in the early twentieth century. His works are a reflection of the major modern issues. He focuses upon the destructive effects of the so-called modernity (an effect of the World War). He writes about the dehumanizing effects of industrialization and explores the nature of individuals and their relationships with one another. Similarly, Franz Kafka's works reflect the anguish and guilt of Modern Man. Kafka builds up the grim mood of individual tragedy that is common to many of his contemporaries, which had its roots in the grim experiences of War on that generation. Kafka himself is said to have stated:

"I think we ought to read only the kind of books that wound and stab us … we need the kind of books that affect us like a disaster, that grieves us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide."

Major Influences in Hemingway 

In Hemingway's works there is a disillusionment caused by the horrors of war. The hard realities of life, like that of a sudden death or any sudden loss, are depicted in his writings. Both physical and mental/emotional disturbance is to be found under scrutiny in his works. The past child-like faith in happy endings is negated by Hemingway. He gives a lesson of courage even while knowing how the reward might not be given, even to those who remained courageous.

 Hemingway's life and his writings were influenced by many personal and public events and  The First World War provided Hemingway with experiences, which made him a more mature man and changed the inflexible ideas and illusion of his youth. Especially his experience of being wounded in the First World War was not only a physical but also an emotional wound.This unkind display of indifferent death familiarized him with the depressing reality of life. (Young, 1968)  

During his recuperation, he saw many wounded soldiers who were suffering from great stress after confronting the calamities of their lives in different ways. After this injury, Hemingway had no desire to maintaining his gay, courageous mood of his youthful ideals regarding the glory of war. (Dimri, 1998)

Another fundamental influence or experience on Hemingway and his writing is his association with a nurse named Agnes Von Kurowsky whom he met in the hospital while he was injured. His contact with her later developed into a romantic affair. In this context Baker (1972) comments

"Young women like Agnes Von Kurowsky were soon aware of a newly aggressive sexuality, (i.e., people like Hemingway) hitherto sublimated but now brought forth by the long confinement in bed, the kindly attention of pretty nurses, and a romantic setting of a hospital in wartime Milano."

It was intrinsically absurd that a badly injured soldier, who had experienced the failure of the delusion of immortality a few weeks after he enlisted, fell in love with a nurse. This same absurdity which is found in his life is also found in his writings as well. The harshly injured heroes are seen falling in love in spite of their dark vision of life during war.  

It became difficult for Hemingway to adjust in society after returning home from war. The experiences that he had undergone were very different from the norm. The time that he spent in Italy created a sense of tragic adventure. He found it hard to live an ordinary existence at home. (Gurko, 1968) 

The Spanish Civil War is one of the greatest influences on Hemingway. When the war started in 1936, Hemingway began reporting on it. Many of his short stories therefore are set in Spain. Among them The Undefeated, Today is Friday, The Killers, The Butterfly and The Tank, and Night Before Battle stand out. In all these stories, he threw light on the suffering of Spaniards.

The element hope or faith is prevalent in Hemingway's work – whether it's the presence or absence of such emotions. At this connecting in Hemingway's works Dimri (1994) says:

'As a matter of fact Hemingway is the most unconventional of modern writers. It is difficult to define him within the boundaries of religion or a particular philosophic group. He has been called by all available names __ existentialist, wounded idealist, romanticist, realist, sentimentalist, stoic, nihilist, naturalist, materialist, pragmatist, impressionist etc….The benign presence of God is totally missing in his major works. In his struggle, the hero finds no support, no help from any divine source, the solace of religion is denied to him. In his moment of extreme pain Nick declares to have made a separate peace, Krebs declares himself to be out of God's Kingdom, Jake Barnes, Frederick Henry, Robert Jordan do not find comfort in God at the time of crisis or suffering."                                                                                                             

Hemingway's works are cynical, his disillusioned characters spend their time drinking, fishing, fighting, and wrenching. These activities are, of course, time-honored diversions of epic and fictional heroes; but in Hemingway they cease to be diversions and become not only goals of existence, but a sort of mystical masculine moral obligation of a lost generation, tough, courageous, and honest, but broken physically and emotionally by the brutality of war and disillusioned by the in sensitivity and hollowness of civilized society.

If we take a critical look at the novels of Hemingway we can clearly find out how the crises of 20th century has influenced his writing on great scale.

In Our Time is a collection of short stories by Hemingway. The title comes from the Common Book of Prayer but the stories reveal that there is "no peace in our time". In this book ministers are shot, lovers are separated, affaires come to an end, murders are committed in short the story deals with everything decent coming to an end.

The Sun Also Rises is a story of a few American expatriates who were living in Paris after the war. They were all wounded either physically or psychologically. The story focuses on how the old pre-war values cannot give them the directions that they are looking for and in this lost world they are all lost souls. All the characters in this story at the end come to realize the limitations of their own existence.

A Farewell To Arms is about the First World War and its epitomizes the whole of the American response to the First World War. It is the novel in which Hemingway has written about the experience of Henry who was a wounded soldier of war, he falls in love with a nurse and in his effort to protect his love he runs away from battle field but at the end the beloved, his child and his carrier all is lost and he is left all alone in the wide world. The Hemingway hero will carry the scars of this fatal accident with his through out his life.  

Novels such as The Sun Also Rises and A Farewell to Arms are populated by men who are, in Hemingway's words, "hurt very badly; in the body, mind, and spirit, and also morally." In these works, World War I casts a shadow over characters who, no longer believing in the traditions and values of the nineteenth century or in the goodness of government, are disillusioned idealists who reject nationalist propaganda and easy sentimentality.  

For Whom The Bell Tolls is about the story of an American volunteer who has been assigned the task of blowing up the bridge in the hills. He falls in love with a girl Maria but at the end of the novel he dies and deserts her. In the novel Hemingway has dealt with the issues as democracy, fascism, human freedom, communism and most importantly the destiny of man.

The Old Man and The Sea is a story of an old man who goes out on a journey to catch a fish . After long struggle for 84 days he ends up catching a fish but on arriving on the port he is left with a skeleton of the fish only. The theme of the story is man's struggle and man's helplessness in the hands of destiny. Death and courage are two of the themes that Hemingway often writes about essentially. Hemingway thinks of courage as a person's ability to be calm and controlled in face of death.  "A man may be destroyed, but not defeated," he declares in The Old Man and The Sea.

Conclusion  

Thus, we can conclude by saying that in Hemingway writing the disturbance, turmoil, restlessness and confusion of the twentieth century is clearly evident. The events left a great impact on the individual as well as the society on the whole, the American literature of that time is enriched with the impressions of those events.

(Article is for academic use only)
Help taken also from wikipedia.org and other resources

Tuesday, October 19, 2010

History of English and American Literature1

ROSA PARK'S SIGNATURE

Thursday, October 14, 2010

Visual: Similie of the Sun (Plato)

http://www.users.globalnet.co.uk/~loxias/plato/thesun.htm

--
[ARE YOU BORED, DON'T BE ;]

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THE MYTH OF ER (source: wikipedia)

A Renaissance manuscript Latin translation of The Republic

The Myth of Er is an eschatological legend that concludes Plato's The Republic (10.614-10.621). The story includes an account of the cosmos and the afterlife that for many centuries greatly influenced religious, philosophical and scientific thought.

The story begins as a man named Er (Greek: Ἤρ, gen.: Ἠρός; son of Ἀρμένιος - Armenios from Pamphylia) dies in battle. When the bodies of those who died in the battle are collected, ten days after his death, Er remains undecomposed. Two days later he revives when on his funeral-pyre and tells of his journey in the afterlife, including an account of reincarnation and the celestial spheres of the astral plane. The tale introduces the idea that moral people are rewarded and immoral people punished after death.
 

Plato's simile of the sun, image of the divided line, and allegory of the cave are intended to clarify exactly how the things we experience in the sensible, ordinary world (e.g., chairs, drawn triangles) are less real than the ideal models (Forms) on

 
 ...Just as drawings, reflections, or copies of sensible objects are not as real as the sensible things on which they depend, so sensible things are not as real as the concepts in terms of which they are identifiable. Concepts that rely on sensual imagination for their intelligibility--for example, mathematical concepts such as triangularity--are more real than, say, triangular blocks of wood or drawings of triangles. But even though concepts that are based on sense experience are not limited to any particular expression and are unchanging, they are not as real as the Forms, which do not rely for their existence or intelligibility on anything sensual and changing...

TONI MORRISON REFERENCES VIA WIKIPEDIA

References
  1. ^ Duvall, John N. (2000). The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness. Palgrave Macmillan. p. 38. ISBN 9780312234027. http://books.google.com/books?id=iHbeC1I_aWUC&pg=PA38. "After all the published biographical information on Morrison agrees that her full name is Chloe Anthony Wofford, so that the adoption of 'Toni' as a substitute for 'Chloe' still honors her given name, if somewhat obliquely. Morrison's middle name, however, was not Anthony; her birth certificate indicates her full name as Chloe Ardelia Wofford, which reveals that Ramah and George Wofford named their daughter for her maternal grandmother, Ardelia Willis." 
  2. ^ a b Dreifus, Claudia (September 11, 1994). "CHLOE WOFFORD Talks about TONI MORRISON". The New York Times. http://www.en.utexas.edu/amlit/amlitprivate/texts/morrison1.html. Retrieved 2007-06-11. 
  3. ^ a b Larson, Susan (April 11, 2007). "Awaiting Toni Morrison". The Times-Picayune. http://www.nola.com/living/t-p/index.ssf?/base/living-8/1176268522309540.xml&coll=1. Retrieved 2007-06-11. 
  4. ^ a b c d Grimes, William (October 8, 1993). "Toni Morrison Is '93 Winner Of Nobel Prize in Literature". The New York Times. http://www.nytimes.com/books/98/01/11/home/28957.html. Retrieved 2007-06-11. 
  5. ^ Verdelle, A. J. (February 1998). "Paradise found: a talk with Toni Morrison about her new novel - Nobel Laureate's new book, 'Paradise' - Interview". Essence Magazine. http://findarticles.com/p/articles/mi_m1264/is_n10_v28/ai_20187690/pg_2. Retrieved 2007-06-11. 
  6. ^ "The Bluest Eye" at Oprah's Book Club official page
  7. ^ Menand, Louis (December 26, 2005). "All That Glitters - Literature's global economy". The New Yorker. http://www.newyorker.com/archive/2005/12/26/051226crbo_books. Retrieved 2007-06-11. 
  8. ^ "New York Home of Toni Morrison Burns". The New York Times. December 26, 1993. http://query.nytimes.com/gst/fullpage.html?res=9F0CEED8173BF935A15751C1A965958260. Retrieved 2007-06-11. 
  9. ^ Jefferson Lecturers at NEH Website (retrieved January 22, 2009).
  10. ^ Toni Morrison, "The Future of Time, Literature and Diminished Expectations," reprinted in Toni Morrison, What Moves at the Margin: Selected Nonfiction (Univ. Press of Mississippi, 2008), ISBN 9781604730173, pp.170-186.
  11. ^ B. Denise Hawkins, "Marvelous Morrison - Toni Morrison - Award-Winning Author Talks About the Future From Some Place in Time," Diverse Online (formerly Black Issues In Higher Education), Jun 17, 2007.
  12. ^ http://www.nationalbook.org/amerletters.html
  13. ^ a b Jaffrey, Zia (February 2, 1998). "The Salon Interview with Toni Morrison". Salon.com. http://www.salon.com/books/int/1998/02/cov_si_02int.html. Retrieved 2007-06-11. 
    Why distance oneself from feminism?

    In order to be as free as I possibly can, in my own imagination, I can't take positions that are closed. Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it, to open doors, sometimes, not even closing the book -- leaving the endings open for reinterpretation, revisitation, a little ambiguity. I detest and loathe [those categories]. I think it's off-putting to some readers, who may feel that I'm involved in writing some kind of feminist tract. I don't subscribe to patriarchy, and I don't think it should be substituted with matriarchy. I think it's a question of equitable access, and opening doors to all sorts of things.

  14. ^ "Talk of the Town: Comment," The New Yorker, October 1998, accessed August 6, 2008.
  15. ^ "Congressional Black Caucus," CNSNews.com, October 2001.
  16. ^ Sachs, Andrea."10 Questions for Toni Morrison", Time, May 7, 2008.
  17. ^ http://www.democracynow.org/2008/1/29/headlines
  18. ^ Alexander, Elizabeth."Our first black president?, It's worth remembering the context of Toni Morrison's famous phrase about Bill Clinton, so we can retire it, now that Barack Obama is a contender.", Salon.com, January 28, 2008.
  19. ^ http://www.rfkmemorial.org/legacyinaction/bookawards/
  20. ^ Asante, Molefi Kete (2002). 100 Greatest African Americans: A Biographical Encyclopedia. Amherst, New York. Prometheus Books. ISBN 1-57392-963-8.

SIGNIFICANCE OF THE SUN ALSO RISES BY ERNEST HEMINGWAY

The Sun Also Rises is the first major novel by Ernest Hemingway. Published in 1926, the plot centers on a group of expatriate Americans and Britons in continental Europe during the 1920s. It follows the group from Paris to the running of the bulls in Pamplona. The book's title is taken from Ecclesiastes which is a book of the Hebrew Bible. Hemingway's original title for the work was Fiesta, which was used in the British, German, Russian, Italian, Czech and Spanish editions of the novel. It is often described as Hemingway's best novel.

 

The Sun Also Rises portrays the lives of the members of the so-called Lost Generation, the group of men and women whose early adulthood was consumed by World War I. This horrific conflict, referred to as the Great War, set new standards for death and -immorality in war. It shattered many people's beliefs in traditional values of love, faith, and manhood. Without these long-held notions to rely on, members of the generation that fought and worked in the war suffered great moral and psychological aimlessness. The futile search for meaning in the wake of the Great War shapes The Sun Also Rises. Although the characters rarely mention the war directly, its effects haunt everything they do and say.

 

The major characters in the novel are Jake Barnes, Lady Brett Ashley, Robert Cohn, Pedro Romero and Mike Campbell.

 

Jake is the narrator and protagonist of the novel. He is an American veteran of World War I working as a journalist in Paris, where he and his friends engage in an endless round of drinking and parties. Although Jake is the most stable of his friends, he struggles with anguish over his love for Lady Brett Ashley, his impotence, and the moral vacuum that resulted from the war. Part of Jake's character represents the Lost Generation and its unfortunate position: he wanders through Paris, going from bar to bar and drinking heavily at each, his life filled with purposeless debauchery. He demonstrates the capacity to be extremely cruel, especially toward Cohn. His insecurities about his masculinity are typical of the anxieties that many members of the Lost Generation felt. Yet, in some important ways, Jake differs from those around him. He seems aware of the fruitlessness of the Lost Generation's way of life. He tells Cohn in Chapter II: "You can't get away from yourself by moving from one place to another." However, though Jake does perceive the problems in his life, he seems either unwilling or unable to remedy them. Though he understands the dilemma of the Lost Generation, he remains trapped within it.

 

Lady Brett Ashley is a beautiful British socialite who drinks heavily. As the novel begins, Brett is separated from her husband and awaiting a divorce. Though she loves Jake, she is unwilling to commit to a relationship with him because of his impotency. She is a strong, largely independent woman who exerts great power over the men around her. She refuses to commit to any one man, preferring ultimate independence. However, her independence does not make her happy. Her wandering from relationship to relationship parallels Jake and his friends' wandering from bar to bar.

 

It seems that there are several misogynist strains in Hemingway's representation of Brett. For instance, she disrupts relationships between men with her very presence. It seems that, in Hemingway's view, a liberated woman is necessarily a corrupting, dangerous force for men. Brett represents a threat to Pedro Romero and his career as she believes that her own strength and independence will eventually spoil Romero's strength and independence. World War I seems to have played an essential part in the formation of Brett's character. During the war, Brett's true love died of dysentery. Her subsequent aimlessness, especially with regards to men, can be interpreted as a futile, subconscious search for her original love. Brett's personal search is symbolic of the entire Lost Generation's search for the shattered pre-war values of love and romance.

 

Robert Cohn is a wealthy American writer living in Paris. Though he is an expatriate like many of his acquaintances, yet he stands apart because he had no direct experience of World War I and because of the fact that he is a Jew. He holds on to the romantic pre-war ideals of love and fair play, yet against the backdrop of the devastating legacy of World War I, these values seem tragically absurd. As a Jew and a non-veteran, Cohn is a convenient target for the cruel and petty antagonism of Jake and his friends. He has spent his entire life feeling like an outsider. While at Princeton, he took up boxing to combat his feelings of shyness and inferiority. Although his confidence has grown with his literary success, his anxiety about being different or considered not good enough persists. These feelings of inadequacy may explain his irrational attachment to Brett that is; he is so terrified of rejection that, when it happens, he refuses to accept it. Cohn adheres to an outdated, pre-war value system of honor and romance. But sadly, his value system has no place in the postwar world, and he is unable to sustain it. His tearful request that Romero shake his hand after he has beaten him up is an absurd attempt to restore the validity of an antiquated code of conduct. His flight from Pamplona is symbolic of the failure of traditional values in the postwar world.

 

Pedro Romero is a nineteen-year-old bullfighter. His talents in the ring charm both aficionados and newcomers to the sport alike. He serves as a foil for Jake and his friends as he carries himself with dignity and confidence at all times. Moreover, his passion for bullfighting gives his life meaning and purpose. In a world of amorality and corrupted masculinity, Romero remains a figure of honesty, purity, and strength. Brett develops an intense crush over him because of these qualities.
 

Mike Campbell is a constantly drunk, bankrupt Scottish war veteran. He has a terrible temper, which most often manifests itself during his extremely frequent bouts of drunkenness. He has a great deal of trouble coping with Brett's promiscuity, which provokes outbreaks of self-pity and anger in him, and he seems insecure about her infidelity as well as his lack of money. Being Brett's fiancé, he feels he cannot exercise any control over Brett.

 

The major themes discussed in the novel are the aimlessness of the Lost Generation, the male insecurity and the destructive power of illicit physical relationship.

 

World War I undercut traditional notions of morality, faith, and justice. No longer able to rely on the traditional beliefs that gave life meaning, the men and women who experienced the war became psychologically and morally lost, and they wandered aimlessly in a world that appeared meaningless. Jake, Brett, and their acquaintances give dramatic life to this situation. Because they no longer believe in anything, their lives are empty. They fill their time with escapist activities, such as drinking, dancing, and debauchery. It is important to note that Hemingway never explicitly states that Jake and his friends' lives are aimless, or that this aimlessness is a result of the war. Instead, he implies these ideas through his portrayal of the characters' emotional and mental lives. Although they spend nearly all of their time partying in one way or another, they remain sorrowful or unfulfilled. Hence, their drinking and dancing is just a futile distraction, a purposeless activity characteristic of a wandering, aimless life.

 

 

 

 

 

 

Wednesday, October 13, 2010

PICTURE OF ROSA PARK, THE LADY WHO STOOD IN THE FACE OF FIRE

File:Rosaparks.jpg

English: Photograph of Rosa Parks with Dr. Martin Luther King jr. (ca. 1955)

Mrs. Rosa Parks altered the negro progress in Montgomery, Alabama, 1955, by the bus boycott she unwillingly began. National Archives record ID: 306-PSD-65-1882 (Box 93).

Source: wikipedia



political and social happenings in 1960 afro american

http://www.google.com/search?q=political+and+social+happenings+in+1960+afro+american

paraphilia: A psychosexual disorder in which sexual gratification is obtained through highly unusual practices that are harmful or humiliating to others or socially repugnant, such as voyeurism or pedophilia.

Etymology: Gk, para + philein, to love

sexual perversion or deviation. A condition in which the sexual instinct is expressed in ways that are socially prohibited or unacceptable or are biologically undesirable, such as the use of a nonhuman object for sexual arousal, sexual activity with another person that involves real or simulated suffering or humiliation, or sexual relations with a nonconsenting partner. Kinds of paraphilia include exhibitionism, pedophilia, transvestism, voyeurism, and zoophilia. paraphiliac, adj., n.

http://medical-dictionary.thefreedictionary.com/Celebriphilia

Source: TFD.COM

MODERNITY IN LITERATURE

Modernity, modern literature when talking about liberalism,
uncertainty of life and all that, is not focusing on the dead things
and purposelessness in life.

They are just trying to open UP every-ones mind. A society, where
SCIENCE struggled so much. Brutally murdered by church at times.

This modernity, this open consciousness where everything is challenged
is the only way, science, arts, liberalism could have flourished.

If this modernity; discourse of doubt, couldn't existed then human
cloning, new ways of seeing the absurdity in life, the human need to
more creative and grow like a tree, could never have existed.

THE GREAT GATSBY - What I know, till now, after reading the plot overview

A twisted story about love. A story about people, who are confused and submerged in their own sins. Gatsby love for Daisy is real, as he is committed to become a sacrificial lamb for Daisy; as he takes on the blame of killing Myrtle Wilson in order to save her love, Daisy.

Tom wrongfully defaces Gatsby's character in order to gain sympathy from his wife. And in order to win back his wife, although he himself was having an extra-marital affair (Shame on you Nick!)

"Gatsby made his fortune through criminal activity, as he was willing to do anything to gain the social position he thought necessary to win Daisy. " Source: sparknotes
Okay! I need to make it quick. The Great Gatsby is about the American Dream going to waste and breaking into pieces. There is no such thing as a American Dream that works. It is more like balloon filled with hot air, which when it bursts would/will/can/could/ did melted/defaced the faces of everyone involved in the incident that took place at Gatsby's mansion.



THE GREAT GATSBY

Source: sparknotes

Nick reflects that just as Gatsby's dream of Daisy was corrupted by money and dishonesty, the American dream of happiness and individualism has disintegrated into the mere pursuit of wealth. Though Gatsby's power to transform his dreams into reality is what makes him "great," Nick reflects that the era of dreaming—both Gatsby's dream and the American dream—is over.


Tuesday, October 12, 2010

OSIP MANDELSTAM - RUSSIAN POET AND ESSAYIST

Emilyevich Mandelstam (also spelled Osip Mandelshtam, Ossip Mandelstamm) (Russian: О́сип Эми́льевич Мандельшта́м) (January 15 [O.S. January 3] 1891 – December 27, 1938) was a Soviet poet and essayist, one of the foremost members of the Acmeist school of poets.

LIST OF MAJOR ROMANTIC POETS

  1. Albania: Naim Frashëri, Sami Frashëri, Jeronim De Rada
  2. Brazil: Álvares de Azevedo, Castro Alves, Casimiro de Abreu, Gonçalves Dias
  3. Czech Republic: Karel Hynek Macha
  4. Denmark: Nikolaj Frederik Severin Grundtvig, Adam Gottlob Oehlenschläger, Hans Christian Andersen, Søren Kierkegaard
  5. England: William Blake, George Gordon Byron, Samuel Taylor Coleridge, Percy Bysshe Shelley, William Wordsworth, John Keats
  6. France: Alphonse de Lamartine, Victor Hugo, Théophile Gautier, Alfred de Musset, Charles Baudelaire
  7. Georgia: Nikoloz Baratashvili
  8. Germany: Novalis, Friedrich Hölderlin, Heinrich von Kleist, Clemens Brentano, Joseph von Eichendorff, Achim von Arnim
  9. Hungary: Sándor Petőfi
  10. India: Rabindranath Tagore, Michael Madhusudan Dutt, Satyendranath Dutta
  11. Ireland: Thomas Moore
  12. Italy: Giacomo Leopardi, Ugo Foscolo, Alessandro Manzoni
  13. Montenegro: Petar II Petrović Njegoš
  14. Poland: Three Bards (Adam Mickiewicz, Juliusz Słowacki, Zygmunt Krasiński), Cyprian Kamil Norwid
  15. Portugal: Alexandre Herculano, Almeida Garrett, António Feliciano de Castilho
  16. Romania: Mihai Eminescu
  17. Russia: Golden Age of Russian PoetryAleksandr Pushkin, Mikhail Lermontov, Fyodor Tyutchev, Evgeny Baratynsky
  18. Scotland: Robert Burns, Joanna Baillie, Walter Scott, James Macpherson
  19. Serbia: Branko Radičević, Đura Jakšić, Laza Kostić, Jovan Jovanović Zmaj
  20. Slovakia: Janko Kráľ
  21. Slovenia: France Prešeren
  22. Spain: Gustavo Adolfo Becquer, José de Espronceda, Rosalía de Castro, José Zorrilla, Jacint Verdaguer
  23. Ukraine: Taras Shevchenko
  24. United States: Henry Wadsworth Longfellow, Ralph Waldo Emerson

WHO WAS WILFRED OWEN?


Wilfred Owen
Born 18 March 1893(1893-03-18)
Oswestry, Shropshire, UK
Died 4 November 1918 (aged 25)
Sambre–Oise Canal, France
Nationality British
Period First World War
Genres War poem


wilfredowen.org.uk/home/
Wilfred Edward Salter Owen MC (18 March 1893 – 4 November 1918) was a British poet and soldier in the first world war, and one of the leading poets of the First World War. His shocking, realistic war poetry on the horrors of trenches and gas warfare was heavily influenced by his friend Siegfried Sassoon and sat in stark contrast to both the public perception of war at the time, and to the confidently patriotic verse written earlier by war poets such as Rupert Brooke. Some of his best-known works—most of which were published posthumously—include "Dulce et Decorum Est", "Insensibility", "Anthem for Doomed Youth", "Futility" and "Strange Meeting".

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